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Vectrex Mini interview - David Oghia talks up the nostalgic vector powerhouse

Having been wowed by the news of the Vectrex Mini at Gamescom , I rushed off some questions to VectrexOn's main man  David Oghia . After a post-event, well earned, break, he's kindly given us a lot of detail about the project and some new images of the unit to share.  His story mirrors mine somewhat, Vectrex represents a glowing, unaffordable, obelisk of gaming power from our youth! But he's had the energy and drive to do something about it, and met the right people to get the job done!  What first got you interested in Vectrex and what spawned the idea of a Mini version? I’ve always been passionate about retro-gaming, but my first love was computers rather than consoles — the ZX81, then the Commodore 128. I only really discovered the console world in the late 90s, which is when I got my very first Vectrex. Of course, I had seen it in stores back in 1983, but at that time it was far too expensive for me.  Today, I own five Vectrex systems at home. Vector-based games ...

Review: My Big Sister

You can take all the polygons and effects you like and throw them at the next Resident Evil, other zombie game or if anyone had a go the Ring series. But the core human emotion of watching someone they love turn into that "other" be it a mutant, witch or zombie cannot be expressed with visual splatter.

That's why My Big Sister works so well, as a little girl and her big sister, Luzia and Sombria, stumble through nightmarish adventures in tiny pixels, where your imagination fills in the gaps between those pixels and whatever full-screen HD blockbusters you've seen.


From home to hospital, to an endless journey via the sewers and a witchy bathhouse, there's plenty of sweet little detail in the game, but its the weird approach to horror that makes My Big Sister a pleasant surprise with lots of little twists. Play it in the dark with headphones on, and its easy to get emotionally involved in this strange tale.

Gameplay is straight forward, with a little exploring to find a thing, use it find the next thing, or give it to one of the pleasantly freakish cast. Alerts show when you're near something useful, and while some things look like an exit but aren't there isn't anything like a false/padded feel to the story.

There are a few decisions to make, but with enough save points to make going back and forth no trouble, but the game really hinges on who's telling the truth and who's lying, plus that visual novel staple of a few good and bad endings to find, through choices, or simply standing in the right/wrong place.

The adventure runs a couple of hours long with tight, focused environments usually a few rooms each. Finding and using items is probably less than half the story. That's as you meet all sorts of oddball otherworldly characters and figure out what the real plot is behind the story that seems doomed to repeat itself.

In development terms, I think this is the first Adventure Game Studio title to hit the Vita after Ratalaika built a porting tool. Hopefully that means plenty more adventure games heading our way to supplement the string of arcade and VN titles. With sharp visuals, a fun soundtrack that backs up each segment perfectly and just enough game to make it worthwhile, I hope this is the start of a beautiful friendship with AGS.

Score: 8/10
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Price: £4.99 (PSN)
Developer/publisher: Stranga/Ratalaika
File size 198MB
Progress:  A good ending, some bad ones


Currently playing on my Vita/PS3/PS4/PS5


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